“Pink T-Shirt?! PINK T-SHIRT?!?!?! Are you…? Are you…serious? Why is that guy wearing that? Pink?! REALLY?!”
The above is, believe it or not, an abbreviated (and cleaner) version of the thought process racing through a man or woman’s head when they spot that rare and ridiculous beast: the pink T-shirt-wearing male.
Here is a fun list of reasons you should NOT be that beast:
1. All Aboard The Camp-er Van. OK. Let’s start with the reason that most red-blooded males will put at the top: it’s camp. A pink t-shirt is camp. And wearing a pink t-shirt is even camper. If you deem yourself to be camp, well that’s fine. You are what you wear. But if you’re not camp, well then a pink t-shirt is just not for you. Many things in life are said to be impossible. But they’re not really. Wearing a pink t-shirt and not looking camp, however, is. You just can’t do it. Wearing a pink t-shirt gives off certain signals you see. Like using straighteners on your hair or painting your nails. People might just think you care a little TOO much about your appearance. And that makes you a tart.
2. I Feel Pretty, Oh So Pretty. Unconvinced by the last point? This is the 21st century, right? We can straighten our hair and wear nail varnish and put on our mummy’s dresses and sing West Side Story. Errr…no…no you can’t. Metro sexuality was a passing fad to shift product. It’s gone now. Wave goodbye. Basic traditions stand the test of time for a reason.
3. Why? Just Why? Think of all the other personalised t shirts colours you could wear…
BLACK: Mysterious.
WHITE: Clean and cool.
RED: ROAR!
YELLOW: Summer time.
GREEN: …Dude…
BLUE: Cool.
PINK….now tell me, after that list, pink doesn’t NATURALLY strike you as a little odd.
4. Pink Is Not For Girls. Even WOMEN don’t really wear pink. Think about Angie at the Oscars. Elizabeth Hurley in THAT dress. Black is sexy. Red is feisty. Pink doesn’t often make the list for chicks, so…cased close?
5. You’re Fired. OK so you want three more reasons. You greedy piglets. Ladies and gentleman of the jury I refer you to the excellent, internationally-loved cartoon series The Simpsons. In the episode ‘Stark Raving Dad’ Homer is fired from work by Mr. Burns for being a “free-thinking anarchist” BECAUSE he wore a PINK SHIRT to work! So in Simpson-world it’s OFFICIALLY CRAZY. And let us NOT forget, ladies and gentleman of the jury, that Homer wore that pink shirt by MISTAKE! He washed his reds with his whites. He did NOT BUY a pink shirt.
6. It’s Not Rocket Science. If you want us to go all technical on you, we will. PINK is scientifically proven to only go with a very select amount of skin tones. We are pink and peachy and pasty and black and white and brown and NONE OF THOSE, not ONE is supposed to be a great fit with pink. Don’t blame us. BLAME SCIENCE.
7. Horticultural Impact. The word Pink comes from flowers…
BONUS REASON: Try Google image searching ‘Brad Pitt wearing pink personalised T-shirt’ or George Clooney or Johnny Depp. NOTHING, I repeat NOTHING can be found.
I’m sure we’re all familiar with the film, The Men Who Stare at Goats, which is based on the work of a secret psychic military unit. But in that film they’re doing it wrong. Men shouldn’t stare at goats. Goats should stare at men. It’s obvious. Here are seven reasons why.
1. Men Are More Interesting Than Goats. This it not universal, as anyone who’s ever seen the queue in a Homebase on a wet Thursday afternoon or viewed the bits between the sport on Sky Sports will testify, but generally, it is true. After all, men build things; men wage war; men get drunk; and fall over; men morris dance. Goats on the other hand, do not. Goats stand; goats chew; goats stand some more; goats sit down. That’s pretty much it as far as goats go. If you want to know how relatively interesting goats and men are, just look at the internet. The ratio of men to goats depicted online is 999999999999999999:1*. The evidence is overwhelming.
2. It’s Less Dangerous For Them Than Staring At Women. Anecdotal evidence suggests that, in the UK, you are more likely to be physically assaulted in a pub car park by an addled simpleton enquiring, “Are you staring at my bird?” than in any other circumstance.** And this is a scenario that goats are just fundamentally ill-equipped to deal with. Rather than diffusing the situation by calmly and rationally replying, “Yes, but in a curious, rather than a lecherous way. Is her skin naturally that orange? Did she apply her mascara with a spoon? Shouldn’t someone be holding her hair back while she’s vomiting?” a goat would just stand there, being a goat. If they stared at women, our pub car-parks and city centres would be full of hyper-aggressive drunkards punching goats every weekend to the soundtrack of “leave him Gary, he’s not worth it”. No one wants that, except Gary. And he’s an idiot.
3. Conscience. In the modern secular age, where our notion of an all-knowing God and right and wrong are becoming ever more confused and blurred, we all need a little help and guidance every now and again. And what better way to make men consider their actions than by having a goat stare at them. After all, there are many, many things that you might conceivably do when alone that you would not do when a goat was looking at you. These include:
Picking things.
Scratching things.
Rubbing things.
Pulling things.
Poking things.
Looking at things.
Other stuff with things.
Could you look at pornography if a goat was staring at you? No. Could you pick the pocket of a nun if a goat were staring at you? No. Could you have sex with a goat if a goat were staring at you? No.*** If goats stared at us, we’d live better lives.
4. Time-Saving. If you’re a man you’re probably thinking, I won’t have time to look after a goat. I have important things to do, I have trains to look at and pants to file and whatnot. But you’d be wrong. Your staring-goat would actually save you time as you’d never, ever need to mow the lawn again. Nor, if you already do this, would you need to go and chew the local playing field for half an hour every day, your goat could do that for you too. Being stared at by a goat is like being given the gift of time.
5. Education. Goats will get something from the whole staring at men deal too. They’ll learn from us. After all, goats haven’t evolved or significantly changed their lifestyle since they first appeared on the planet (unless they evolved from geese, in which case, well done goats, do carry on). By staring at men, they might learn to do something other than standing in a field and staring at men. They might evolve to use tools, to walk upright, to tell time or even learn to read books, instead of eating them. Goats will benefit.
6. Responsibility. This is not universally the case, but many men lack a sense of responsibility and really only get one when fatherhood is thrust upon them. But being the keeper of a staring goat would engender that sense of responsibility. After all, there’s nothing like having to feed something, teach it right and wrong (not to butt the television except when East Enders is on, not to gore the cat with its horns etc) to make you realise that you have other things to think about than whether your shoes are a slightly different colour to each other, or whether the light on the floor varies significantly over the 15cm gap between them causing them to appear different…Nope, it’s the light. Right, where was I? Oh yes, and the ladies will love you when they see you tenderly strapping your goat into the back of the car before setting off on journeys. They’ll see you as potential breeding material, so you’ll be more sexually successful. Though you will have to perform with a goat staring at you, good luck with that.
7. Trains. Men – despite the Clint Eastwood/John Wayne/Buster Keaton strong, silent stereotypes – are gregarious social creatures for whom being alone can lead to loneliness, and that lack of socialization can in turn lead to eccentricity, outright weirdness and a penchant for trains. The company of a staring goat would prevent men becoming lonely and developing strange habits, which would eventually lead to the demise of trainspotting as a pastime. It would probably also lead to the end of model aeroplane building and World of Warcraft, so bring on the goats, I say. Oh, and please send my next-door neighbour his first, as the sounds of his model trains are audible in my loft at night. And they interfere with me cataloguing my button collection.****
*This figure is made up. I don’t have time to count the internet just to illustrate that men are represented there in a far larger number than goats.
**It’s interesting to note that no one, ever, in the history of drink-fuelled, envy-inspired, pub car-park assaults has commenced proceedings by uttering the phrase, “Are you staring at my fiancé?”
***It would be the wrong way round, for a start.
****This is untrue. I wrote it for comedic effect, please, please, please do not send us any correspondence about buttons. No buttons. No!
The new Anton Corbijn film – The American – starring George Clooney is out in the UK right now. I saw it on Saturday, here are seven reasons that you shouldn’t. (and don’t worry, there are no spoilers)
1. The Unconcious. The pace of the first half of The American is slow. It’s so slow, in fact, that if anyone had said “so slow”, it would have come out as, “sssssssssssssssssssssssssssooooooooooooooooooooooooo sssssssssssssssssssssssllllllllllllllllllllllllllllllllllllooooooooooooooooooooooowwwwwwwwwwwwwwwwwwwwwwwwww”. Someone may even have said it, but I’m not sure, as I was dozing. Not a deep and satisfying slumber, but the fitful sort where you find yourself alternating between brief bouts of consciousness and unconsciousness, with occasional forays into semi-consciousness and thoughts of what the hell is happening to me, is this what old age is like (ness). So, I’ll sum up what I saw in the first half of the film (without spoilers). I saw George Clooney living the soporifically mundane daily life of a hit-man. In a series of slowly cut shots with no dialogue I watched him: Counting his bullets, drilling a series of small holes in some tips, oiling his mechanism (not a euphemism), polishing his barrel (nope, nor this), adjusting his sights, rearranging his small change on a table, lining up his fish fingers in size order, adding up all of the telephone numbers on his mobile and dividing them by four, testing the accuracy of his oven timer against his wristwatch (an Omega Speedmaster Professional with a black dial and black leather strap: model number 3870.50.31, I had time to note), comparing the shapes of his fingernails with his toenails, dusting his light bulbs, and staring into an empty fridge while over his head a strip-light buzzed (I may be wrong on some of these, but if they weren’t there, it felt like they were).
2. The Conscious. That’s not fair, you’re probably thinking, if you’d been awake, it probably wouldn’t have seemed that dull. But I wasn’t the only person that was sleeping during the first half. Because when I was in the toilet after the film, a man standing behind me said, “You were asleep during the first half” and, as I prepared to answer him, the man at the urinal next to me replied, “I know, it was really slow”. It turned out that they were friends and that I wasn’t being addressed at all. So there you have it. Based on the available evidence, there are two distinct types of human-behaviour that occur during the first half of The American. There are the Sleepers, who sleep, and then there are the Sleeper-Watchers who, while they have remained conscious, aren’t watching the film either; they’re watching people sleep so they can tell them about how they slept later, in great detail; “You kept leaning forward, and then you fell back, and then you leant forward, and then you fell back, and then you leant forward, and then you fell back, and then you said “chopsticks”, and then you fell back…” was my personal Sleeper-Watcher’s epic account of my movements. So, during the first half of the film, 50% of the audience are sleeping and the other 50% are watching them sleep and compiling a dossier on their movements, their utterances and their dribbling. Which means that 100% of the audience are not watching the first part of the film. That’s how dull it is.
3. Lust. And then the second half of the film begins. It begins with Violante Placido in bed with no clothes on and, in the words of my personal Sleeper-Watcher, “…you sat bolt upright and stared at the screen while breathing rapidly, remaining in that position for the rest of the scene, before you settled back in your seat and stayed awake for the rest of the film”. So not only do you get a full report on how weird you are in your sleep, you get a full report on how lecherous you are when you’re wide-awake too.
4. Clooney. And then there’s Clooney. Now I understand that George Clooney’s playing an emotionless, calculating and reserved man. But we see his bottom in The American, and I can state categorically, that his arse has a greater number of expressions than his face in this film. Here is his full range of facial expressions in The American (sorry if you were hoping for an arse montage, though we do have one of those on the About Us page):
7 Emotions : 1 Face
5. References. During the film, in a scene where Clooney is counting the grains of salt contained in a salt cellar before he thinks about Switzerland for five minutes in a bar with formica tables, something distracting happens in the background. There’s a film on the television. It’s Sergio Leone’s Once Upon a Time in the West. God, I love that film, I thought. It’s in my top ten films of all time. Why aren’t I watching that? Why in God’s name would you taunt the viewer by placing an iconic piece of cinematic brilliance within your own, not brilliant, movie. So, he’s made me fall asleep, he’s made me appear lecherous, he’s made me watch a man iron his vast collection of handkerchiefs with a lukewarm spoon, and now Anton Corbijn is actually taunting me. He’s showing me a bit of a film that I love that’s better than the one he’s made and that I’m watching, I thought. While screaming inwardly.
6. ThePants. And then there are the pants. Violante Placido, for reasons I won’t bore you with, decides to disrobe (except for her pants) and go swimming in a river. But why would anyone take all of their clothes off except for their pants? Then they’d be wet once they got out of the water. And they’d have to go home wearing wet pants. And who wants to wear wet pants for an afternoon? And I know that you’re thinking that it was for the sake of modesty, but it wasn’t. Because they became completely transparent the moment they got wet, a fact that my Sleeper-Watcher noted later, before he informed me that I, “…sat bolt-upright and made some sort of involuntary tongue noise. And didn’t blink for eight whole minutes” in reaction to this scene. Three days later, after a great deal of thought, I still can’t fathom the pants.
7. The Ending. Again, I won’t tell you what happens, but there’s a moment of awareness when someone alters the thing. And when that person – whose gender I won’t digress – alters the thing that I won’t name, I had a moment of clarity. I knew, in that instant, that the character that was going to do the deed would be thwarted by the one that altered the thing and that the other character that I also won’t name would eventually have to do the deed – not with the broken thing that had been altered, but – with another thing but that we hadn’t been introduced to, and that the deed would end badly. Not only for the character who had been forced to do the deed with the new thing, but also for the character to whom the deed was being done, that countered the deed with his own thing, having previously sparking this chain of events by altering the initial thing in the first place. And it was just bloody obvious that was going to happen a long time before the end.
So, to summarise: During the first half of the film you will fall asleep or resort to watching someone else sleep to keep you entertained; you will then be branded a pervert, be partially baffled by facial expressions, taunted by the director, and then wholly baffled by pants before eventually spotting the blatantly obvious ending many minutes before the film ends. I don’t think ungoing is an actual thing, but I want to do it. Right now.
